#Saffire mixcontrol tutorial how to

Then, switch over to Mix Control and unmute the inputs for ‘Anlg In 3 & 4’. Next, uncheck the ‘Master/parent send’ boxes in both your original track and the new track you’d created to record your processed audio. Click the effects button in the original track, select ReaInsert, and uncheck ‘Automatic Device Latency Adjustment’. If you need to hear and record your performance tweaks on your external gear in real time, you can do so with a few adjustments. This won’t make a difference for most applications, but if you’re going to be doing any timed tweaks on your external device (sweeping a low filter pass at certain points in the music, for example) you won’t hear your changes in real time. In order to line everything up, ReaInsert tells Reaper to delay the output of every other track by the amount of latency it detects, which means your bumped track will play in sync with everything else. Watch Out for Latencyĭecoding the audio going out to your external hardware and re-encoding it on the way back in takes time and would cause your bumped track to sound slightly behind the rest of your tracks if ReaInsert didn’t automatically make latency adjustments. Alternately, you can prevent the new track from reaching the master bus by clicking the routing button and unchecking the ‘Master/parent send’ checkbox.

Because the same audio is coming through both the outgoing and the incoming track, your output will be twice as loud, so be sure to turn down your master bus, headphones, or monitors. In the ‘ Output range‘ set the first to ‘ 1: Pro40 Mon1‘ and the last to at least ‘ 4: Pro40 Line4‘.įigure 7.2 – Record Selection Button and MenuĪrm the track for recording and press record. Make sure that you have ‘Enable inputs’ checked, that your first input is ‘ 1: Pro40 IP1‘, and that your last input is set to at least ‘ 4: Pro40 IP4‘.

Unless you’ve altered your preferences, Reaper will automatically choose a minimal set of inputs and outputs to save the CPU from working unnecessarily.Ĭheck that Reaper is accepting and transmitting on all the channels you’ll be using by going to ‘Options -> Preferences’ and selecting the ‘ Devices’ sub-heading in the ‘ Audio’ section. Reaper Setupīy default, Reaper does not make use of every input and output of the Pro40.

#Saffire mixcontrol tutorial how to

For further information on how to navigate custom setups and saving/opening configuration files, consult the Pro40 user manual. If you’ve chosen differently, make sure you substitute ‘whichever input/output you chose’ whenever the walkthrough refers to ‘inputs/outputs 3 & 4’. Just be aware that the walkthrough is going to refer to inputs 3 & 4 and outputs 3 & 4 exclusively for the sake of simplicity. If you’re not using the default MixControl configuration and/or already have equipment on inputs 3 & 4 or outputs 3 & 4, any pair of inputs or outputs will work. Now your Pro40 is configured to accept a paired input on Analog Inputs 3 and 4 and pushing anything it receives from DAW channels 3 and 4 out though Line Outputs 3 and 4. This is a handy tool to instantly recall any setup specific to a session or use. When you’re finished with this tutorial, you’ll be able to undo your routing changes by going to ‘ File -> Open’, and loading your original setup. Before you make any alterations, save the state of your Mix Control Profile by going to ‘ File -> Save or Save as.’ and save your current setup to a new or existing name. Then, connect the left and right outputs of your external hardware to Pro40 inputs 3 & 4. To set up your hardware signal path, connect Pro40 outputs 3 & 4 to the left and right inputs of your external hardware. In the event that you miss a step and produce a loop, leaving your monitors off and gains low will give you a chance to see any visual indications of feedback on the meters before you damage any equipment. Whenever you’re looping anything out of and back into your interface, you run the risk of creating a feedback loop. Hardware setupīefore you make any connections, make sure that your monitors are off, your headphones are unplugged, and all gain knobs on the Pro40 and your external gear are all the way down. If you’ve got audio generated by or recorded in Reaper that you’d like to run through external hardware via your Saffire Pro40, this walk-through is for you.